NANCY S. WEYANT

NANCY S. WEYANTNANCY S. WEYANTNANCY S. WEYANT
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    • Home
    • About
    • Gaskell Bibliography
    • Literature
      • Introduction
      • Elizabeth Gaskell
      • Ethel Fairmont Snyder
      • Marjorie Kinnan Rawlings
    • ART HISTORY
      • Introduction
      • Anna Hyatt Huntington
      • Nancy Cox-McCormack
      • Bashka Paeff
    • Gallery
    • Contact

NANCY S. WEYANT

NANCY S. WEYANTNANCY S. WEYANTNANCY S. WEYANT
  • Home
  • About
  • Gaskell Bibliography
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  • ART HISTORY
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  • Contact

Nancy Cox-McCormack (1885-1967)

BACKGROUND


The genesis of my interest in Nancy Cox-McCormack was a series of conversations begun over fifty years ago with my great-great aunt, Ethel Fairmont Snyder Beebe.  Aunt Ethel met this sculptor of portrait busts in Chicago in 1912 and remained her friend until Cox-McCormack’s death in 1967. A plaster cast of Cox-McCormack’s Mahatma Gandhi, photographs and correspondence between them were among my aunt’s papers when she died in 1977 at the age of 96. Curiously, I lived with that sculpture for almost twenty-five years before I became truly interested in the woman who had modeled it. As I neared the end of my coursework for a Masters degree in Art History, the subject of a thesis had to be addressed. As a librarian with a strong interest in the history of the book, I had at first assumed I would write an in-depth analysis of the illuminations of a medieval manuscript. However, I did a quick reality check. I was raised Presbyterian and became associated with the Society of Friends in my teens. My command of church iconography was less than comprehensive. Furthermore, my Latin was rusty. One afternoon, I found myself looking at the miniature Gandhi portrait bust in my dining room. I wondered if anyone had written on its sculptor. Much to my delight a review of the literature confirmed that except for the superficial “Who’s Who” type biographical entries and one discussion of her friendship with Ezra Pound by a Pound scholar with no interest in her art, there was nothing. Fortunately, she had deposited her papers at two libraries: Smith College’s Sophia Smith Collection: Women’s History Archives and the Tennessee State Library and Archives. Furthermore, she had given those in Tennessee “for the people” and a microfilm copy of those archived papers could be purchased (something I quickly did). 

 

What I discovered was that this American woman sculptor who had modeled over 70 portrait busts and bas reliefs (including such notables as Jane Addams, Clarence Darrow, Ezra Pound, Benito Mussolini and Mahatma Gandhi); who had had one-woman shows at the Jacques Seligman Galleries in both Paris and New York, the National Gallery in Washington, the Art Institute of Chicago and the California Palace of the Legion of Honor in San Francisco had only a brief obituary that identified her as the daughter of the late Hershel and Nancy Cox and the widow of Charles Thomas Cushman. There was no mention of her life as an artist. Neither was there any reference to her life as an author. She wrote a children’s book, Peeps: The Really Truly Sunshine Fairy and a well-reviewed account of her travels in Spain that included an account of her time spent modeling a portrait bust of the Spanish dictator, Miguel Primo de Rivera (Pleasant Days in Spain). I made the decision to correct that and began what is an ongoing project to document the artistic, cultural and political contributions of Nancy Cox-McCormack Cushman.

 

As noted above, published biographical information on this Tennessee-born sculptor is limited. The guides to her papers archived at Smith College and the Tennessee State Library and Archives (see URL links below) both include biographical profiles. I posted a biography on AskArt and Chapter 2 of my thesis, The Life and Portrait Sculpture of Nancy Cox-McCormack, provides biographical information. Her archived papers document that she was working on her memoirs but these were never completed. 

 

Of the some seventy sculptures known to have been modeled by Cox-McCormack, the current location of approximately half of them remains unknown (though it should be noted that since beginning this project, I have located some dozen works previously listed as “location unknown” and that the location of two have been verified just within the last year as being in private collections).  An inventory of both her sculptures and her paintings are included in the Art Inventories Catalog of the Smithsonian Institution Research Information System.

 

PUBLICALLY-INSTALLED SCULPTURES BY NANCY COX-MCCORMACK
ARRANGED BY DATE
 

1912  Harmony (sculpture). Bronze with terra cotta copies. Exhibited in January 1913  Chicago Artists Exhibition at the Art Institute of Chicago. A  terra-cotta copy is in the Cheekwood Museum in Nashville, Tennessee.   


1914  George Woodruff" and "Frederick Woodruff (bas-relief portrait). Bronze. Memorial plaque. Exhibited in 1914  exhibition at the Palette and Chisel Club. Subsequently installed in the  First National Bank of Joliet, IL.   


1918  Woman in Civics and Woman in the Home (cement cast bas-relief sculpture). Installed in the exterior of the Women's Club, Rockford, IL.   


1920 Colonel George C. Rankin (bas-relief). Bronze. Memorial for World War I hero. Inscribed "A  MEMORIAL ERECTED BY HIS FRIENDS". Installed in the Court House in  Monmouth, Illinois.
 

In Memoriam (bas-relief). Bronze. Honors members,  sons of members and employees of the Chicago Athletic Association who  died in World War I. Installed in the central staircase  of the Athletic  Association in 1921.    


1921 Ezra Pound (life mask). Bronze. American poet. Exhibited in 1923 Spring Salon in  Paris, the Jacques Seligmann Galleries in Paris and New York, the  National Gallery in Washington, D. C., the Art Institute of Chicago and  the California Palace of the Legion of Honor in San Francisco. Currently  located in the Beinecke Rare Book and Manuscript Library, Yale  University, New Haven, CT.
 

Ezra Pound (desk-size painted plaster portrait bust).  Currently located in the Rare Book Collection, State University of New  York at Buffalo.
 

Eunice Tietjens (bas- relief medaillon). Plastercast. Poet/Editor of Poetry Magazine.  Newberry Library, Chicago, Illinois   


1922 Giacomo Boni (portrait bust). Bronze. Archaeologist. Exhibited at 1923 Fall Salon of  the Societe Nationale des Beaux Arts in Rome, the Jacques Seligmann  Galleries in Paris and New York, the National Gallery in Washington, D.  C., the Art Institute of Chicago and the California Palace of the Legion  of Honor in San Francisco. Two castings, originally placed in Rome at  the Palazzo dei Conservatori and in Venice in the mayor's office in the  Doges Palace. Roman copy currently in the Museo di Roma.
 

Lauro de Bosis (desk-size portrait bust). Bronze.  Italian poet and classicist. Exhibited at the Jacques Seligmann  Galleries in Paris and New York, the National Gallery in Washington, D.  C., the Art Institute of Chicago and the California Palace of the Legion  of Honor in San Francisco. Currently located at the Houghton Library,  Harvard University, Cambridge, MA.
 

Lilliana de Bosis (bas relief). Bronze. Close friend  of Nancy Cox-McCormack and mother of Lauro de Bosis. Exhibited at the  Jacques Seligmann Galleries in Paris and New York. Currently located at  the Houghton Library, Harvard University, Cambridge, MA.   


1923 Benito Mussolini (portrait bust), Bronze. Premier of Italy. Four castings made.  Documented as originally placed as follows: one copy to Benito  Mussolini; one copy sold at the Paris Galerie Jacques Seligmann to  August C. Gurnee, who planned to donate it to the Petit Palais; the  commissioned copy went to the Philadelphia Italian Cultural Club  Cenacolo Leonardo da Vinci which presented it to the Pennsylvania  Academy of Fine Arts, and one was sold to Chicago lawyer, Max Pam.  Exhibited at 1923 Fall Salon of the Societe Nationale des Beaux Arts in  Rome, the 1924 Spring Salon in Paris, the Jacques Seligmann Galleries in  Paris and New York, the National Gallery in Washington, D. C., the Art  Institute of Chicago and the California Palace of the Legion of Honor in  San Francisco. One casting is currently at the Howard F. Johnson Museum  of Art, Cornell University, Ithaca, NY. Location of others is  unknown. Miniature glazed plaster casting also made.
 

Lydia Rismondo (portrait bust). Terra cotta.  Exhibited at the1923 Fall Salon of the Societe Nationale des Beaux Arts  in Rome, the 1924 Spring Salon in Paris, the Jacques Seligmann Galleries  in Paris and New York, the National Gallery in Washington, D. C., the  Art Institute in Chicago and the California Palace of the Legion of  Honor in San Francisco. Currently located at the Howard F. Johnson  Museum of Art, Cornell University, Ithaca, NY.    


1924 Edward Ward Carmack (heroic full-figure sculpture). Bronze. Replacement version executed in  Rome and cast in Naples. Originally installed in the front of the  Capitol building of the State of Tennessee, Nashville, Tennessee.  Relocated to the side grounds of the Capitol in 1959.   


1926 Hiram Mills Perkins and Caroline Barkdull Perkins Memorial (bas-relief wall plaque). Bronze. Professor of Astronomy and his wife.  Exhibited at the National Gallery in Washington, D. C. Installed in the  rotunda of the observatory at Ohio Wesleyan University, Delaware, Ohio.    


1927 Craven Laycock (portrait bust). Bronze. Dean of Dartmouth College. Originally placed  in George F. Baker Memorial Library, Dartmouth College, Hanover, New  Hampshire.   


1930 Charles Haubiel (portrait bust). Bronze. Composer/Pianist/Musicologist. Professor of  Music, New York University. The first casting was acquired by the  subject. A second casting, after being widely exhibited, was donated in  1947 by Cox-McCormack to Ohio State University to be placed with the  subject's manuscripts in the Ohioana Library, State University of Ohio.  According to the Web site for Washington State University's libraries, a  bust of the Haubiel by Nancy Cox-McCormack was included with a  collection of Haubiel papers donated to them.   


1931 Mahatma Gandhi (portrait bust). Bronze. Three castings are known to have been made.  The casting in the sculptor's possession at the time of her death is at  Howard F. Johnson Museum of Art, Cornell University, Ithaca,  NY. Miniature plaster castings also made.
 

Dr. Laurence M. Gould (portrait bust). Bronze.  Explorer - Byrd Expedition/President of Carleton College. Originally  placed in Alumni Hall, University of Michigan.   


1934 Rudolph Evans (portrait bust). Bronze. American sculptor, best known for his heroic  figure of Thomas Jefferson in the Jefferson Memorial, Washington, D. C.  Originally placed in the Academy building of the National Institute of  Arts & Letters, 653 West 155th Street, New York, NY


1935 Jane Addams Memorial (bas relief plaque). Bronze. Primary installation at Jane Addams' Hull  House, Chicago, Illinois. Later reduced and cast as a medallion. Struck  by the Medallic Art Company. Known copies of the medallion at the  Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY; and  the Peace Collection at Swarthmore College, Swarthmore, PA.
 

Mrs. Joseph T. (Louise de Koven) Bowen (bas relief  sculpture). Bronze. Close friend of Jane Addams and President of the  Hull-House Association. One casting in Neilson Library, Smith College,  Northampton, MA.   


1941 Lola Ridge (death mask). Plaster. American poet. Included with the Lola Ridge  papers deposited in the Sophia Smith Collection at Smith College.


1944 Charles Upson Clark (bas relief). Bronze. Professor of Medieval Latin. Included in the 1952  National Sculpture Society bas-relief exhibition. Acquired by Yale  University. Originally placed in the Classics Building. Currently in  Yale University's Sterling Library, New Haven, Connecticut. 


PUBLICATIONS BY NANCY COX-MCCORMACK


  • "Five Weeks in London, England, 1931, Modeling from Life the Portrait Bust of Mahatma Gandhi."
  • Tennessee Historical Quarterly 19 (1960): 145-61.
  • Pleasant Days in Spain.  New York: J. H. Sears, 1927.
  • “Preface” to Benito Mussolini, My Diary. Boston: Small Maynard, 1925.
  • Peeps: The Really Truly Sunshine Fairy. Chicago: P. F. Volland, 1918.


MY WRITINGS AND PRESENTATIONS ON NANCY COX-MCCORMACK    

 

  • “Nancy Cox-McCormack: The Chicago Years” Presented at the Architects Club of Chicago, March 9, 2006.
  • The Life and Portrait Sculpture of Nancy Cox-McCormack. M. A. Thesis, Bloomsburg University, 2000. 
  • “The Portrait Sculpture of Nancy Cox-McCormack.” Paper presented at the Art History Symposium,  Bloomsburg University, 1999.


USEFUL LINKS 


  • Art in Public Places: Edward Ward Carmack
  • Nancy Cox-McCormack Cushman Papers, 1906-2000 (Sophia Smith Collection, Women’s History Archives, Smith College)
  • Nancy Mal Cox-McCormack (1885-1967)
  • Nancy Cox-McCormack standing beside "Bust of Primo de Rivera"
  • Smithsonian Institutes, Art Inventories Catalog: Nancy Cox-McCormack
  • Tennessee State Library and Archives (Cox-McCormack, Nancy Papers 1911-1967) 



Photo Credit: Nancy Cox-McCormack in her studio with her Benito Mussolini - Photograph from Times Wide World Photos. 


Copyright © 2022 Nancy S. Weyant - Elizabeth Gaskell Bibliographer - All Rights Reserved.


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